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seated man wearing pale red garment with bushy beard and black loop earrings; seated on dark blue pillow with green flowers; matching smaller pillow in front with sandals on it

Daruma, 1917

Tsuji Kakō

G239

fan-shaped painting; bald man with bushy white eyebrows and bushy white beard, eyes squinted shut; wearing light green robe, hands clasped in front under robe; brown gourd at man's PR

Jurojin, early 20th century

Tsuji Kakō

G239

pair of six-paneled folding screens; dark blue cloth backing; black frames; a (left): abstract image in mostly black, white and red pigments; fiery red and orange section, with swirling, looping linear pattern on left-most section of screens; several repeating patterns of circular shapes, in many different sizes, and arranged in rows L and R sides; large circular shape in C, with two smaller circles at lower edges of larger circle, in washy black pigments; thick white pigment with linear surface treatments on lower section of three right-most screens; b (right): abstract image with biomorphic forms including human arms primarily in black on tan with pale blue and red highlights; forms are more dense/taller at right side and taper toward left; textured designs of circles and wavy lines at top in grey, blue, and white

Chaos, 1983

Matsubara Ken

G333

Description Young girl showing her invention of spinning to the ladies. 'The Spinners' is a delightful miniature. The colors are very good and the subject matter and the treatment of the landscape-half Persian, half Chinese- is of special interest. R.E. The daughter of Haftwad increases her daily spinning in the mountain side iwth the help of the appleworm. Haftwad's daughter is with the other girls of the city of Kujarn. (Warner and Warner Vol. VI, p. 233).

Story of Haftvad, c. 1300

Western Iran or Baghdad

G243

old Daoist magician stands on a bluff by a pond, a small boy at his side, bamboo stick he throws into the air is transforming into a dragon; matted

Fan Painting of a Daoist Magician, c. 1650

Wan Shouqi

G103

water bodies and seaways wind through seaside villages and around island oasis; throughout fishermen and birds speckle the water with activity

Misty River and Layered Peaks, Wanli period, 1608

Gu Deyi

G203

depicting a composition of objects associated with the scholar's study

Books and Scholar’s Objects (Chaekgeori), 19th century

Unknown Korean

Not on View
rocky outcroppings on a beach with building at left and monkeylike figure walking on sand; sun at horizon on water

Finger Painting, from an album of ten, 1684

Gao Qipei

G218

blocky rock island with three small buildings near water; five boats

Finger Painting, from an album of ten, 1684

Gao Qipei

G218

figure wearing a hooded garment, seen in profile from PL side, holding a pot with a flowering branch; tree at right side

Finger Painting, from an album of ten, 1684

Gao Qipei

G218

two horned animals with fingerprint bodies at top of a bluish-grey hill; large empty space in middle ground, blue and grey mountains beyond

Finger Painting, from an album of ten, 1684

Gao Qipei

G218

spider at the center of a web with a flowering branch in front, across bottom and left edge

Finger Painting, from an album of ten, 1684

Gao Qipei

G218

horse with a small pack on its back galloping across waves

Finger Painting, from an album of ten, 1684

Gao Qipei

G218

white swooping bird at center; curving flowering branch at top and right

Flower-and-Bird Finger Painting from an Album of Ten Leaves, 1684

Gao Qipei

G218

two small buildings on stilts at the base of a waterfall; rocky outcropping above

Finger Painting, from an album of ten, 1684

Gao Qipei

G218

small, towerlike pagoda partially covered by dark grasses; rolling, rust colored mountains behind

Finger Painting, from an album of ten, 1684

Gao Qipei

G218

white flowers; green ground

%C2%A9 Katsuda Yukio

No. 33, early 1970s

Katsuda Yukio

Not on View
bouquet of flowers in yellow goblet; butterfly below; couple, cat, and fish inside bouquet

%C2%A9 Watarai Junsuke

[Bouquet with butterfly, couple, fish, and cat], 20th century

Watarai Junsuke

Not on View
abstract; top turquoise horizontal element with open shapes; bottom dark blue element with linear patterns

%C2%A9 Ushiku Kenji

[Abstract image in dark blue and turquose], 20th century

Ushiku Kenji

Not on View
portrait of woman in blue and yellow kimono holding a twig

%C2%A9 Katsuda Yukio

No. 31, late 1960s-early 1970s

Katsuda Yukio

Not on View
scene of raven perched on branch; yellow hily background with green mountains and bare trees;

%C2%A9 Sakamoto K%C5%8Dichi

[Raven on Branch], 1967

Sakamoto Kōichi

Not on View
round, black organic form resembling a sand dollar at C; other black forms with carved lines and geometric motifs scattered, overlapping gray bars and other forms; vertical gray bar from top to bottom; small green form R of C; small teal form bottom C

%C2%A9 Uchima Ansei

Wind and Butterfly, 1959

Ansei Uchima

Not on View
framed; abstract landscape: black grass like forms at LR against yellow element with overlapping black shapes; green and gray forms at center overlapping long brown band; gray bands at top with more grass like design at UC; black form at UR

%C2%A9 Uchima Ansei

Title unknown [Abstract design], 20th century

Ansei Uchima

Not on View
jagged, towering rock formations at R with waterfall and gnarled pine trees; small pavilion on shore at lower center with fishing boat nearby; small footbridge connects two shores across a small channel with trees at L; bluish mountains in background; inscriptions ULQ

Early Spring Landscape, before 1533

Shūtoku; Author: Inscribed by Yōkoku Kentō; Author: Inscribed by Teihō Shōchū

Not on View
three separate sheets; giant demon at center, with wrinkled ghoulish face with bulging eyes and gaping mouth, and bare arms, reaching down twoard group of men in armor armed with swords at left, right, and center, with one man beheath demon's PR arm, near demon's face; women and smaller ghouls at left and right running away; grey-green ground

Picture of Raikō and his Four Companions Conquering the Demon of Mount Ōe, 1864, 10th lunar month

Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō

G238

three separate sheets; battle scene in an interior; man at right wearing blue pants with white floral medallions fading to pale yellow at hems and blue patterned blouse, behind a black lacquer sliding door with flowers against a yellow ground at bottom, pulling on a very long staff penetrating the door, held by a man in blue armor at center; two fallen men in LLC--legs only of one of the men visible, across the body of the other man; running man in blue patterned kimono, with blood on his legs, at right, holding a spear; other figures fighting in background, left

Picture of a Night Battle at Shijō in Kyoto, 1864, 3rd lunar month

Tsukioka Yoshitoshi; Publisher: Fujiokaya Keijirō; Carver: Koizumi Kanegorō; Carver: Kobayashi Kane

G238

three separate sheets; battle scene with four men holding up large rectangular wooden shields; men wear multicolored armor and helmets; man at center walks across fallen soldier wearing blue pants and green leggings and shoes; castle with rounded domes in silhouette in URC, with flying silhouettes of soldier's bodies and flags; red flag with white design at center top; reddish brown smoke/explosions throughout, including a reddish brown burst hitting shield of man at left

Picture of Masakiyo at Shinshū Castle During the Conquest of Korea, 1863, 10th lunar month

Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

G238

three separate sheets; battle scene at sea, with two men wearing white loincloths swimming in foreground, with their swords tied to their backs; many boats crowded with men in armor, with swords and bows and arrows; boat at left has blue and white sails and streamers, and black tassel-like object at front; boat at center middle ground has red and white flag

Picture of the Great Battle of the Minamoto and the Taira at Dan-no-ura, 1865, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Katada Chōjirō

G238

three separate sheets; man at right with his back to and partially covered by radiating orange flames, with mouth open and hair blowing forward; four men fall on top of each other at center, with flakes around them; other fleeing men in ULQ

Picture of Odai Matarokurō Setting His Own Castle on Fire, Calmly Entering the Fiery Pit and Dying; Enemy Troops Were Amazed at His Bravery, 1866, 12th lunar month

Tsukioka Yoshitoshi; Publisher: Tsujiokaya Bunsuke; Carver: Watanabe Eizō I

G238

three separate sheets; orange and white smoke in middle ground; man in green armor at right in background riding white horse, with purple flag with white flower; two dead men in LLC; man with long hair and full face on a brown horse at center, with a long spear and a torn red flag; figure in green armor at right

Fire, Picture of Sassa Narimasa’s Hard Fight in Kyushu, 1867, 9th lunar month

Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Ōta Utakichi

G238

three separate sheets; underwater fight with two men in armor at center, another man falling backwards under water at left, and swimming figure at top left; four men on rocky shore at top center and URQ; swimming grey horse at right

Water, Saitō Toshimitsu fighting Nonoma in the River Akuta, 1867, 7th lunar month

Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Koizumi Kanegorō

G238

three sheets; cartoonish animal with long grey fur, large yellow eye, yellow teeth with long fangs and blue hooves at center, throwing off man men who are falling and flipping in every directions; men in URQ wear yellow furs (?); mountains in background covered in snow; snow in foreground, with snowballs flying in front of animal and figures

Yamamoto Kansuke Killing a Wild Boar, 1868, 4th lunar month

Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

G238

one sheet; man wearing a wide white headband and a white shirt with grey elements with khaki ties, partially hidden by a wall of green bamboo; black ground

Sakuma Dennai, 1869, 3rd lunar month

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

G238

ink drawing on thin paper with touches of red; drawings on recto and verso--difficult to read each side due to thinness of paper; half of man's face with a rectangular element covering other half of face; portion of foreshortened grimacing face with short hair, with cloud-like elements covering top of head

Preparatory drawing of Sakuma Dennai, 1869

Tsukioka Yoshitoshi

G238

front view of two story house with white siding, frown framing, and green shutters; trees peeking over brick wall in front yard; ochre colored background

%C2%A9 Tanaka Ry%C5%8Dhei

Kobe No. 2, 1971

Tanaka Ryōhei

G227

yellow, red, and blue pansies

%C2%A9 Tanaka Ry%C5%8Dhei

Pansy, 1969

Tanaka Ryōhei

G227

Evening Shower over Ōhashi Bridge and Atake, 1857, 9th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Teppōzu and Tsukiji Hongan-ji Temple, 1858, 7th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Forest of Suijin Shrine and Masaki on the Sumida River, 1856, 8th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

South Wind, Clear Weather, 1830-1833

Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View

Kinryūzan Temple, Asakusa, 1856, 7th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Seidō and Kanda River from Shōhei Bridge, 1857, 9th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Nihonbashi, Clearing After Snow, 1856, 5th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

man with long hair and long beard, holding a sword, wearing a grey kimono with a brown dragon on the stomach; green cowering demon at L; curtain and door at R

Picture of Shōki Capturing a Demon in the Dream, 1890

Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi

G219

2 leaves of text; 4 leaves of inkstone rubbings; 15 landscape paintings

Hsu Hsiao-p'u's "Five Clouds and Double Star" Inkstone Album, 1923-1928

Various artists

Not on View
buildings on a small, mountainous island seen from high vantage point; seven boats in water

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
Red flower at L with black and wash grey leaf shape at R

Lotus, early 20th century

Qi Baishi

Not on View
Mountains with buildings

Magnificence of Overhanging Bluff, 1723

Jin Yongxi

Not on View
Green mountains; red-leafed trees; buildings center

Autumnal Color Among Mount Quan and Mount Hua, 1723

Jin Yongxi

Not on View
five white mum blossoms on thick stems with green-grey leaves; text, URC

White Chrysanthemums, 1929

Wang Zhen

Not on View
yellow and white mums; blue-green rock in front; grasshoppers, moths and other insects; three-character inscription and seal, LRC

Fall [right of a pair of Flowers and Insects of Spring and Fall], mid 19th century

Yamamoto Baiitsu

Not on View

Wisteria Maiden, late 17th - early 18th century

Unknown Japanese

Not on View
simple design of vibrant red trees around small building; green mountain in background; block of text, URC

Landscape, 1812

Wang Xuehao

Not on View
peony-like pink bloom with leaves and branches; small opening bud at upper right

Flower Painting, late 18th century

Mianyi

Not on View
green mountain tops visible through thick, swirling clouds; some small trees on mountains; pinkish sky near horizon

In Praise of Green Hills and White Clouds, 1905

Tanomura Chokunyū

Not on View
woman seated on a folding sling chair, reading a book with a green cover; small black and white cat under woman's chair; woman wears a tan spotted kimono with purple curving patterns; table at left with plant, bowl of grapes and glass; fern at LRC

Woman and Cat, 1933

Yasuma Sodō

Not on View
3/4 bust of woman holding blotting paper to lips; black kimono with red cuffs and yellow and green trim; white collar with white flowers; eyes cast down; green tie in hair with yellow ornaments

Beautiful Woman, second half 19th century

Unknown Japanese

Not on View
several rocky slopes at top with boulders and trees; large boulder-like outcropping at R with trees at top; man in fishing boat at LL gazing upward

Landscape in the Style of Taiga, late 18th - early 19th century

Nagamachi Chikuseki

Not on View
male figure in grey cloak with white square pack hanging at chest; square hat, white pants; figure carries staff between arms; deer in profile standing facing L in front of male figure

Basho and Deer, late 18th - early 19th century

Ki Baitei

Not on View
pink rock surrounded by wisps of graceful grasses and foliage; blossoming grey flowers at L and R sides of rock

Orchid and Rock, late 18th - early 19th century

Totoki Baigai

Not on View
very long, narrow image; short, balding man wearing white robe with light blue crisscross pattern; man is balancing on one foot with both arms in the air; he is looking upwards at a deep plate that is balancing on top of an extremely long pole; pole is resting on his forehead

Balancing a Plate, first half 19th century

Seisai

Not on View
brightly colored fantastic creatures with animal and human attributes, many with pointed claws, tusks, grotesque faces, or apparition-like qualities

A Collection of Monsters [one of a pair], late 18th - early 19th century

Unknown Japanese

Not on View
swirling white cloud at center of image, floating over rows of waves below; vertical gold inscription down center, ending at top of cloud

Great Buddhist Avatar Akiba-san, 19th century

Unknown Japanese

Not on View
monk wearing black robe, holding rosary in both hands rides backwards on a horse; large, halo-like woven hat behind head; PR leg folded across horse with PL leg hanging off side of horse; monk has mostly bald head with dark beard, large earlobes, and determined look on face; horse is turned away at 3/4 view; inscription ULQ; short inscription LRQ

Monk Riding Backwards, 19th century

Hirano Gogaku; Artist: Hoashi Kyōu

Not on View
one-line inscription center; cucumber, persimmon, and two red chilies at bottom

Tastes in a Rural Cottage, first half 20th century

Fukuda Kodōjin

Not on View
two white flowers on two-part black stalk with light blue-green shading; gold veins; painted on fan-shaped background; inscription with round stamp LRQ

Hollyhocks, 1910s

Kamisaka Sekka

Not on View
monkeys perched on, or climbing upon, the snow-covered branches of a large pine tree; trunk extends diagonally L of center of screens

Monkeys in Pine Trees, 1853

Kishi Renzan

Not on View
mounted fan painting: pink flowers blossoming amid green foliage at L; tiny blue flowers in background ULQ; gold background with zigzagging red details with butterflies at top L and R

Mallows, 17th - 19th century

Tosa School

Not on View
pot of glowing coals with billow of smoke; fan resting against side of pot; clusters of black dots within and slightly outside of smoke cloud; inscription at R

Smoking Out Insects, c. 1927-1941

Fukuda Kodōjin

Not on View
figure seated on small, flat rock formation upper center, wearing orange robes; blue hair, and large bump on head; several other, smaller figures in colorful robes seated on flat rock formations, most wearing colorful robes and holding objects like staffs, inscribed papers, and rosaries in hands; all figures have halos; trees, waterfalls, and swirling clouds separate figures

Zengetsu Daishi and Saints, mid 19th century

Butsujo Jisen

Not on View
towering, multi-leveled mountain peak at R; shallow cliff with three-legged, white and red structure at UL; lower, multi-leveled mountain peaks at LL; bent human figure with blue top, white bottom, holding a walking stick at LR; mountains dotted with foliage; inscription at UL

Landscape with Scholar and Empty Pavilion, second half 19th century

Doi Gōga

Not on View
rocky shoreline with lightly colored trees; small pavilion near lower center; two fishing boats, one with a single figure, and the other with two figures at lower center; small buildings above to R of stone bridge; castle or temple complex at UL

Autumn Landscape, early 20th century

Hashimoto Dokuzan

Not on View
L screen: gnarled, twisting pine tree at L, with branches extending across multiple panels; rocks at L; hawk at lower center attacking a small goose, its talons digging into the goose's face, mouth, and neck; hawk is lifting bird out of water

Hawks by a Stream [left of a pair], mid 17th century

Soga Nichokuan

Not on View
woman in profile sweeping leaves on the ground with bamboo broom; woman has long face, and long hair knotted at end; brown kimono with pine tree pattern; green obi

Woman Sweeping [right of a pair of Women], early 19th century

Tatebe Sōchō

Not on View
two men in a boat--one standing, one seated; seated bearded man at left wears a grey cap and holds up a white fan; hunched-over standing man at right has white hair and wears a straw hat; basket with orange fruits in boat; plants at bottom, center and right

Album leaf, c. 1875

Qian Hui'an

Not on View
male figure stands at LR scratching head with PL hand, and holding red sword in PR hand; woman at man's PR holds other end of sword in PR hand while shyly turning away; both figures are on a bridge or platform; tall tree along L side

Michiyuki, first half 19th century

Hosokawa Rinkoku

Not on View
red-faced monkey at UL peering over a snow-covered embankment; web-like waterfalls between snow-covered cliffs in LR; red fern to L of waterfall

Monkey on a snow hill, mid 19th century

Ōhara Donshū

Not on View
older male figure with salt and pepper colored hair at UR carefully poised holding calligraphy brush in PR hand over a pink and black image of a large blossom; across the table, a young female student mimics his gesture over her own black and white image; at lower center, a young male student with beard points at an open book with his PL hand

%C2%A9 Minol Araki%2C licensed by David Frank and Kazukuni Sugiyama

Painter with Two Students, 2002

Minol Araki

Not on View
bearded man wearing a hat and carrying a basket on a blue cord walking with a boy; both figures wear grey tunics and white pants; tree with pink blossoms in LRC; small bridge, LLC; mount attached at top to foam core board backing

Album leaf, c. 1875

Qian Hui'an

Not on View
short, bald man wearing open black, short coat with white square on either side of chest, and red and cream stripes at front seams; open coat exposes his big round belly; black leg cuffs; man is concentrating intently on walking very carefully; holding object on long staff with black pouf at top in PR hand, carefully holding PL hand out at side

Ōtsu-e, 17th - 19th century

Unknown Japanese

Not on View
frog riding toad in center surrounded by frogs wearing white robes; other white robed frogs on L and R as well as unclothed frogs carrying various objects; some tadpoles on L

Procession of Frogs, c. 1738

Ogawa Haritsu

Not on View
white-robed figure resting on a rock within a churning body of water; large halo behind figure's head, landscape with waterfall extending up L side; figure wears ornate gold headdress, earrings, and bracelets

White-robed Kannon, late 15th century

attributed to Kenkō Shōkei

Not on View
one of a pair of landscapes; once grouped with white-robed Kannon that was placed in center; left landscape; rocky cliff at LR with trees and boulder below; to men crossing an arched bridge near LL; small building in background; far background a misty rock outcropping with pine trees

Landscape [left of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

Not on View
angled gray rock formation at center and portion of rock formation at UL; bright orange and red blossoms overlap; inscription URQ

Rocks and Flowers, 1817

Okada Beisanjin; Artist: Okada Hankō

Not on View
abstracted image of a standing nude woman with PL leg raised and knee bent, made of arcing lines; white lines, rust-brown ground

%C2%A9 Yoshida T%C5%8Dshi

No. 12, 1953

Yoshida Tōshi (self-published)

Not on View
gruesome battle scenes between humans in samurai armor and demons and monsters; crowds of men and women near end

Shutendoji emaki, early 17th century

Unknown Japanese

Not on View
various images of brightly colored demons and other imagined creatures; many with fangs and claws; some on fire; others riding on clouds or emerging from waves

A Collection of Monsters [one of a pair], late 18th - early 19th century

Unknown Japanese

Not on View
two lines of calligraphy on decorated paper; paper decorated with horizontal wavelike motif; a few delicate plants; waves of blue fibers at top

At the Ōi River, late 16th - early 17th century

Emperor Go-Yōzei

Not on View
horizontally oriented painting of two blossoming pink roses; foliage begins LLC, extends upward with a bud near top center, and horizontally towards LR with the two blossoming roses; black and blue butterfly at top rose; three lines of calligraphy at ULC with two part rectangular seal with rounded edges

Flowers and Butterfly, 1838

Yamamoto Baioku

Not on View
abstracted pine tree extending diagonally up the scroll from LL with bristly, pointed, downturned branches and bristles along trunk; red sun in upper center; hints of pale pink clouds in background

Pine Tree and Rising Sun, Ca. 1942

Fukuda Kodōjin

Not on View
pallette is predominanty beige, grey, white and green; two white birds at bottom of panels 2 and 4; grey bird in tree in panel 3; owl in tree in panel 6 and a few other birds; painting on back of screen also

Birds in Landscape [right of a pair], early 16th century

Shūgetsu Tōkan

Not on View
cluster of buildings in a mountain valley with waterfall at center R; thatched roofs, lightly tinted brown; pine trees and blossoming trees in front of buildings; light blue mountain in background; towering rock face at R with small walking path below; rolling mountain bluffs with pine trees rise towards UL; narrow walking path leads to another cluster of buildings with white walls and planked, pitched roofs; another waterfall at far L; inscription at center with two small red stamps; red relief stamp LRC; mounted to jet black board

Amid the Mountains, second half 19th century

Ninchōji Baikoku

Not on View
robed man kneeling with arms folded in lap; man is bald, has slight smile and small, narrow eyes; resting against a white object outlined in black and blue; inscription above

Haiku Poet Shohaku, early 19th century

attributed to Yokoi Kinkoku

Not on View
one of a pair of landscapes, right; once grouped with a white-robed Kannon that was placed in the center; tall, vertical rock formation at L; water at R with a boat and more rock formations and a flock of birds in the background; in foreground, smaller rock formation with pine trees, small village, and two men walking away from fishing boat

Landscape [right of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

Not on View
three elegantly dressed women; standing woman on R facing R and wearing white, red, and black; two seated women wearing grey

Women in the Demimonde, first half 19th century

attr. Yamaguchi Soken

Not on View
front 3/4 view of woman in white robes looking over PR shoulder; woman has subtle smile and holds object in outstretched hands; two line inscription URQ

Female Chinese Immortal Ma Ku, 1831 (inscription, painting undated)

Hayashi Rōen; Author: Inscribed by Tanomura Chikuden

Not on View
somewhat abstracted landscape: densely foliaged rock formation with bands of irregularly shaped clouds; tiny figure seated on top of rocky outcropping just R of center; treetops under fog just below center; tiny hut on cliff bottom center with other irregular rock formations with dense foliage on bottom; inscription URQ

Boating on a Pure Creek, January 1930 (box)

Fukuda Kodōjin

Not on View
two-sided fan: two groups of three conical, minimalist evergreens; evergreens have dark brown trunks with moss; opposite side: minimalist landscape of mountains in silver and gold pigment

Pine Trees, 1900s-1910s

Kamisaka Sekka

Not on View
three white birds on tree on R; duck in water with water plants on L

Birds in Landscape [right of a pair], first half 17th century

Kano Naonobu

Not on View
three elegantly dressed women facing R; standing woman in back wearing red with two seated women in front of her

Ladies of the Warrior Class, first half 19th century

attr. Yamaguchi Soken

Not on View

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